Rubric

The Rubric Foundation

A charity dedicated to celebrating and promoting the Scots language.
Through their grant program they have funded a range of cultural and artistic projects, from visual art and music to poetry and performance.
By investing in artists, musicians, singers and poets, they aim to enrich Scotland's creative landscape and ensure the Scots language continues to thrive for future generations.
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Completed projects

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The Scots Sang an Leid Projeck (Scots Song and Language Project) was led by award-nominated Amy Lord – a singer, song group leader, and Scots language tutor with over two decades of experience teaching both children and adults in song and language. Over the course of eight weeks, she worked with pupils in Dunblane Primary school, introducing them to Scots language through traditional song. While the primary focus is on Scots language, the project also explored elements of Scottish culture, including heritage, history, and customs, through the engaging stories behind each song.
The programme consisted of seven in-class workshops—six led by Amy and one by supporting tutor and instrumentalist Adam Brown—concluding with a full school concert where pupils performed the songs and demonstrate the language they learned. This finale also included performances by five professional Scottish traditional musicians, showcasing instruments and styles such as Scots singing, guitar, fiddle, bodhran, and bagpipes.
A wide range of Scots songs was selected to suit the learning level and interests of each class, with a particular emphasis on seasonal and local songs. P5 and P6 pupils received workbooks to use throughout the project, while P3 and P4 classes took part in a modified version featuring simpler oral songs and shorter booklets, with a greater focus on vocabulary. Teachers also received a “Dominie’s Pack,” which includes materials and song tracks to support continued learning beyond the project and with further classes.
To deepen engagement and boost memory retention, there was also an illustration competition to show the language they’d learned, giving pupils an extra opportunity to connect creatively with the Scots language and songs.

The Huntly Ceilidh Day 2025 sought to teach, stimulate interest in and celebrate the traditional language and music of the north east of Scotland by bringing together participants of all generations and backgrounds for a day of tuition and performance.
The tutors for the afternoon workshops were: Michael Biggins on mixed instrument (BBC Radio Scotland Young Traditional Musician 2021), Dylan Cairns on fiddle and Iona Fyfe on Scots song/singing.
The evening concert featured solo numbers and group arrangements from Dylan, Michael and Iona, with plenty of opportunity for audience participation in song.

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The Scots Sang an Leid Projeck was a seven-week educational initiative delivered at Newton Primary School in Dunblane, designed to deepen pupils’ understanding of Scots language and culture through traditional song. Working with six classes—from Primary 1, 4 and 6—the project used a mix of oral and workbook-based learning to introduce students to traditional Scots songs rooted in local history.
Songs such as Heather Jock and Will Ye Gang Tae Sheriffmuir were selected for their strong historical ties to the Dunblane area, sparking interest and engagement among the pupils. Younger students were taught simpler, repetitive nursery-style songs in Scots, while older pupils explored more complex songs, ballads and vocabulary. All songs were taught in a call-and-response format to ensure accessibility for children of all learning abilities.
The project culminated in a concert featuring professional traditional musicians—including Adam Brown (Rura, Ímar)—who performed and collaborated with the students. An accompanying illustration competition allowed children to engage with the songs creatively, further deepening their connection to the material.
Outcomes were overwhelmingly positive. Students demonstrated improved Scots vocabulary, greater confidence in singing and public performance, and increased interest in local history. Teachers noted especially strong participation from pupils with additional support needs. Constructive feedback will inform future iterations, including refining song selections and allowing more rehearsal time. Completed under budget, the project proved to be a highly successful model for integrating music, language, and heritage learning—one that fostered pride in local identity and opened the door for future Scots language education.